Choreography List (2024-1982)

List of Works choreographed by Anne-Marie Mulgrew

Performance List (2024-1996)



2024

A Shout from the Bones conceived and choreographed by Artistic Director Anne-Marie Mulgrew is a response to recent violent events, and the need for healing and action in today's world. This ongoing investigation examines contemporary issues that haunt and motivate us to face our humanity. A Shout explores themes of community, loss, resilience, understanding, joy, and hope. Built on a series of eleven charged scenes and dances using props, text, music, and projections, audiences are invited to create their own stories, share them, and discover a greater understanding of ourselves and the world we live in.

As an American contemporary dancemaker, the intent of my work is to provide a framework for thought, dialogue, and change. With so much unrest in today 's world, in this new work, I aspire to validate how dance has the power to bring awareness to an issue and to remind us of the need for beauty, empathy, relief, and joy in our lives. - Anne-Marie Mulgrew

Choreography and Direction: Anne-Marie Mulgrew with dancers' input
Dancers: The Company - Em Godfrey, Leslie Ann Pike, Ava Pizzi, Arielle Ridley, Tori Vincent, and Anne-Marie Mulgrew in cameo appearances


2023

It has been three years since COVID 19 traumatized the world, skewing perceptions, challenging structures, posing questions about one's basic needs, and providing opportunities to explore solutions. NOW! Three Years Later is a response to the pandemic's personal, political, and social impact on us as humans and how it transformed our world and our environment. Length is 20 minutes. AMM & DCO's 37th Home Season Concert also featured two premieres Twofer and Trio, repertoire works plus three films.

NOW 2023 - Three Years Later
Concept Anne-Marie Mulgrew
Choreography Anne-Marie Mulgrew with dancers' input
Dancers The Company Em Godfrey Leslie Ann Pike Ava Pizzi Arielle Ridley Tori Vincent Costumes Leslie Ann Pike



TwoFer 2023: This duet explores the relationship between two people moving together, sharing space, supporting one another in a joyful romp. As choreographer my intent was to create something more playful, lighthearted, and fun as we enter into a new post pandemic age. Choreography: Anne-Marie Mulgrew Dancers: Ava Pizzi, Arielle Ridley Music: Divan Gattamorta "Espectro Sonoro"



Memories from Within 2021 reimagined 2023 Memories examines the inner landscape of one's internal chaos filled with emotions, memories, vulnerability. Choreography: Anne-Marie Mulgrew Dancer: Leslie Ann Pike Music: Bach "Marcello Adagio Concerto for D Minor"



Trio 2023 This dance is inspired by Bach's magnificent aria, embodied by three characters- the lighted lady, the dreamer, and the mystery person who share a connection while inhabiting three different worlds. Choreography: Anne-Marie Mulgrew Dancers: Em Godfrey (The Dreamer) Tori Vincent (The Lighted Lady) Arielle Ridley (The Mystery Person) Costume Concept: Anne-Marie Mulgrew Music Bach "Quia Respexit" by Alexandra Sidorova



Beautiful Chaos 2022 reimagined for the Performance Garage 2023 Beautiful Chaos is informed by the tumultuous world we live in and comments on society with all its ills and glories. "Out of chaos, the future emerges in harmony and beauty." Emma Goldman
Choreography Anne-Marie Mulgrew with dancers' input
Dancers The Company
Music Lucas King "Sociopath" "Pain"
Text: Simple Chaos selected poems of Yukio Tsuji "Silence"


2022

Beautiful Chaos, an hourlong, full-length work, choreographed by Anne-Marie Mulgrew with dancers' input, is a collection of new dances and films inspired by the tumultuous world we live in today. In development since early 2020, sections were to premiere in AMM & DCO's June Concert cancelled by COVID19. Additional works were developed during the pandemic and set on the Company when able to rehearse in person. Beautiful Chaos aspires to raise questions by taking audiences on a quest that is poignant, uplifting, and joy. Beautiful Chaos premiered at AMM & DCO's 35th Anniversary, June 24-25, 2022. Chaos comes from Greek Khaos which means "formless primordial space." Many of us think about it is as danger, confusion, or turmoil but it can also be seen as an opportunity for exploration and transformation. The title resonates even more now in pandemic times where order and control are in constant flux. I was haunted by this title and notion of how beauty and chaos can coexist and support one another conceptually. Anne-Marie Mulgrew, Artistic Director; Choreographed/Concept/Direction by Anne-Marie Mulgrew with dancers' input Dancers: Em Godfrey, Anya Kress, Kate Lombardi, Anne-Marie Mulgrew, Hannah Murphy, Leslie Ann Pike, Ava Pizzi, Arielle Ridley; Technical Director: Sean Thomas Boyt
Works include:



Films as part of the full-length work Beautiful Chaos 2022


2019

From the Feminine Gaze is a collection of dances and films celebrating feminine power, grace, and whimsy conceived and choreographed by A. Mulgrew for six dancers, inspired by the 100th Anniversary of the passing of the 19th Amendment and current events. Dance works include In the Spirit of a quartet to Astor Piazzolla's "Citi Tango;" Quiet Power, a solo, to music by Ramin Djawadi; Zikr: The Time Before to music by Armand Amar: What, a solo, to Bach's "The Cello Song" by The Piano Guys with video by Francesca Costanzo from her larger work "The Eyes Project" 2019; Skirting, a sextet, to Steve Reich's music. The program included a new film, This Woman, created in collaboration with video artist Carmella Vassor-Johnson and A. Mulgrew


2018

Strange Dreams: 30 Years Later 2018 is a multimedia work for seven dancers, colorful props, constructed costumes, a swing, and projections. Length is 48 minutes. The work tackles dream-like states - the sensations, memories, colors and sounds in a non-linear stream of consciousness format. Dreams appear, disappear, and continue to haunt the dreamer who questions the logic of it all. Strange Dreams is a reaction to the political and social realities we face today and ones need to dream, heal and celebrate the resilience and joyfulness of the human spirit. Sections included: The Opener (Dream Swing) Music: Relaxing Water Sounds; Cathedral Dreams: Music: "Ancient Gusli North Ambient Soundscapes" by Sadko; Interlude One Music: Gothic Church Bells Sounds; The Mirage Music:"Renaissance Atmospheric Music" by The Sacred Order; A Prelude of Sorts Music:"Kozatskty 'til You Dropsky" by Shirim; Interlude Two Music: PetRUality: "Infinity of Consciousness;" Forward/Backwards Music: Discovering China Li Bai: China's Immortal Poet; Sad Cat Music: Sad Cat Diary; L'Amour Music: "Tango Poema 1925" Francisco Canaro; Three Women Three Bowls Music:"La Laguna" by Mike Dowling & David Lang; Inflatable Dreams Music: "Summertime" by Janis Joplin,"Old Ticket Booth" by Brandon & Derek Feichter , "Exciting Baroque Music" most likely by Vivaldi, and silence; The Finale ""A Narnian Lullaby on Dudek" by Harry Gregson-Williams and "When You Are Old" by WB Yeats.


2017

A View from Within a site-specific traveling 55-minute dancework conceived by Anne-Marie Mulgrew for 14 performers and an assorted soundscore. This work took audiences on a journey from the outside grounds to the gallery spaces of The Ryerss Mansion and Museum culminating with an audience participation dance on the front porch, presented by the City of Philadelphia's Office of Arts, Culture and the Creative Economy, Performances in Public Spaces 2017.



One Minute Dances for Small Spaces (2017) a premiere (AKA Postage Stamp Dances) choreographed by Anne-Marie Mulgrew for 5 dancers 18 minutes. This 16-section work raises questions about duration and space work and was also informed by today's fast-paced technology-driven world where we are bombarded by images, distractions and sensations resulting in short attention spans and quick decisions. Introduction Text by Anne-Marie Mulgrew; Sections are: The Tens Music: One Minute Evolving Soundscape; The Slow Waltz Music: 435 A Soundtrack for Every Minute; Adagio Music: April 26, 2015; Twitchy Music: Dubness Wash Soundscape; The Couple Music: One Minute Composition Sean B; The Sandwich Music: Bill Makes a Sandwich; Quartet 1 Music: Broke Dub; Fast Dance Music: Frantic Music Composition 'audio jump'; The Umbrella Music: Twin Lakes Soundscape Project; Halloween Music: Secret Word Soundscape; Random Music: One Minute Bell Ring; The Duet Music: Desalento One Minute Short Film; Trace Music: VEXTA Neon Death Dreams; The Trio Music: Star Trek: Beyond Music Trailer; Shards Slow Heartbeat Sound Effect ; The Resolution Music: One Minute Mozart.


2016

The Prelude, an 11-minute work for eight performers, references the notion of 'Anywhere' featuring glimpses of selected AMM & DCO's site works and characters from 1997 re-imagined for Christ Church Neighborhood House. Direction/choreography is by Anne-Marie Mulgrew with input from the performers. Music is by Adam Vidiksis.



Anywhere/The Big 30 is a 30-minute work for five dancers and three musicians. This abstract dance is informed by the ambiances and architecture of the city which has nurtured Ms. Mulgrew's choreographic creations for 30 years. It is developed in collaboration with Adam Vidiksis (composer) and Carmella Vassor- Johnson (video artist). The concept of 30 is the departure point. It examines one's sense of time and space. The work aspires to look forward while reflecting on the past fusing dance, music, new technologies and film. Ideas explore sensations, memories and observations about one's journey over time, the individual and the community, the relationships forged within a group, and how one is informed and impacted by the world we live in.



30 Moves (2016) The Finale s a 6:30 minute dance that celebrates original company member Joe Cicala in his swan song performed by seven dancers. The structure was based on 30 gestures and using accumulation. Choreography is by Anne-Marie Mulgrew to music by Claude Challe and Steeve Remix


2015

The Next Chapter 2015, a 15 minute work, is a suite of four dances choreographed by Anne-Marie Mulgrew for seven dancers. This contemporary work explores states of being and sensations using the music as a point of departure Each section is built on a word - lush, insist, relentless and is set to music by Simon Wolf The Box, Zoe Keating We Insist, Mason Bates Mothership, Pendulum Experimental Music



The Red Riding Hood Project (RRHP) 2015, a 17 minute work, was created in collaboration with Rob Solomon (visual artist/concept/direction)l; Adam Vidiksis (composer) ; Anne-Marie Mulgrew (choreographer;) and Ted Knighton (videographer) for seven dancers in red capes and hoods. RRHP is based on the timeless tale with contemporary twists i.e. instead of one red riding hood -- seven dancers inhabit the psyche of a young girl who moves from innocence to self-awareness.



From the Vault 2015, a 15 minute work for seven dancers, is whimsical blanc-on-blanc work. Choreographer Anne-Marie Mulgrew revisits concepts, ideas, props and costumes from her previous dances creating a new piece that comments on gender and the creative process. Set to a sound mix of Experimental Music (camels, bells, sand, children playing, and sounds), 10 Strange Facts about Dreaming and Classical Guitar & Hip Hop by Vadim Brunell, the work features females dancers in white costumes and wigs and men bare chested in white pants.


2014

World of Dreams 2014, Based on themes of identity, dreams, and desires, World of Dreams is a continuation of the emotionally-charged Dig 2012 and The Keepers Project 2013 by collaborators Anne-Marie Mulgrew (choreographer/concept) Carmella Vassor Johnson (video art). In this 23 minute work dance for seven dancers, the departure point revolved around the questions: What is and what makes an American? Is the American dream alive, breathing, misplaced, or has it been absorbed and impacted by the world we all live in? Audiences will be taken on a non-linear adventure through a series of dance vignettes sparking memories and sensations from the past and present. Sections included: The Journey-leaving ... arriving Music: Shiva in Exile Earth Tones; The Dance Hall Music: Harry James; So what is an American? Sound: Text authors unknown; Relentlessness Music: Mason Bates Mothership And Then Sound/Music: Sonic Footprints; Hopes, Dreams, Aspirations Music: Requiem for a Dream Clint Mansell


2013

The Keepers Project, a 70-minute full-length multi-media dance theater work, in collaboration with video artist Carmella Vassor-Vassor-Johnson for seven dancer/performers and guest performers in video sections. Part one is Dig 2012 and Part two is The Keeper. Props include suitcases and clothing, cabbages, personal family mementos, burlap sacks and a silver bowl. The Keeper sections are Video Story - 1943-45 Letters from Robert Mulgrew to Anna Bodalski read by Robert Mulgrew, 70 years later; Fleeing and Reuniting to a soundscape of war sounds and Mein Shtetele Betz; Voiceover: The war is over; A Tribute to Ancestors preluded by a poem: Ancestors by Anonymous and set to Amazing Drum and Footprints in the Sand; Video Stories by Jean Whitehead, Ruth Metzger, Rose Marie De Angelis; I Remember set to a poem written by Anne-Marie Mulgrew inspired by The Keepers senior workshops with music by Zelda Ocarina Songs of Storms on Marimba; Reflections set to Improvised Sound and Creepy Music Box; and The Finale to music by Aqua Vitae Future World Music.


2012

Dig, a 35 minute dance theater work created in collaboration with Carmella Vassor-Johnson for five core dancers and three additional performers. Dig examines family roots and history by delving into universal themes of loss, hope and identity. Sections included: The Opening to music by Chiel Meijering's Danzai; Video Stories; Three Women to DJ Kypski and the Matangi String Quartet; The Polish Tango to Tadeus Faliszewski Nietoperze; In Deep Sadness-Hope, to Never Seen Him Back by Chiel Meijering; The Earth - Dance for Camera; Falling-Surrendering to Internal Clock by Monolake; A Touch of Ireland, to Celtic Music - A Tale; Remembrances to Follow the Whisperer (part 2) by Chiel Meijering and Giving Back to the Earth to Bleach OJ3.


2011

Le Dada Va Gaga dans 2011, a full-length site-specific dance video work designed for the Rotunda's Sanctuary space created in collaboration with Carmella Vassor-Johnson for a cast of 8 dancers and 6 performers. Sections included: The Procession to bell music; Video Installation One (The Spirit of the Sanctuary); Windows and Railings to La Vie en Rose by Louis Armstrong; The Busker to Reve D'Accordordeonise; The Pew to Chinese Bubbles by Emmanuel Santarrromana; A Duchampian Moment; Two Worlds to Estudio Nights in Spain by Francisco Tarrega; Parsian Moments to Les Jours Tristes by Tann Tiersen; The Conversation; Salute to the Chandelier to Sheva by Ashrey Ha'ish; Another Homage to Degas to Josu Gallastegui's Ballet Music; Deux Chapeaux pour Deux Femmes to The Box by Simon Wolfe; Stomp, Bang, Slap and Sing to sounds made by dancers and The Finale to Frere Jacques.


2010

Burn, six dancers, 15 minutes, 5 sections, music: Bach , Dolphina, Philip Glass and assorted sounds


2009

Salt, Part 2, 8 dancers, 38 minutes 3 dance sections & 5 video clips, music: Dolphina Dance Trance, Il Duetto Je Croise Entendre Encore from Les Pecheurs de Perles George Bizet/Eugene Cormon, Michel Carre, Vangelis Ignacio-video clips Tibetan Salt Fields, Surges, The Tasting , A Private Moment and Links created in collaboration with Carmella Vassor-Johnson.


2008

Salt, 23 minutes, 5 dancers, music: Matt Haimovitz Trans, Prem Joshua Funky Guru, Elliot Sharp Twenty Below (excerpt), Rick Wakeman Seahorse, Biddhu Orchestra Eastern Journey, Heiner Goebbels La Jalousie (excerpt) and live sound by A. Mulgrew


2007

The Hidden River Project, 55 minutes, 19 performers, site-specific work, music: natural sounds and live music for two sections composed and performed by Keith Calmes



Tears of Joy, 19 minutes, 6 dancers, music: Arabian Fantasy composed by Danial Majoun from Appassionato,Beyond the Machine by Move D from Lush Life Electonica, Cloud Moss by Mickey Hart, La redecouverte from the film score Amelie, Kalandero from the CD Alegria by Cirque du Soleil



Keith Suite, 16 minutes, 6 dancers, music: composed by Keith Calmes performed live by Keith Calmes and Ryan Patrick Johnson


2006

The Hans Project, 18 minutes, 6 dancers, music composed and performed live by Keith Calmes, Video projections Stan Sadowski in collaboration with A. Mulgrew


2005

The Big Dance 2005, 15 minutes, 7 dancers, music: John Beltram "Soft Summer" part one; Angelique Kido "Iemanja" part two Sylk "When The Funk Hits The Fan" part three



Serenade to Eve After Rodin, a duet, 8 minutes, Music: Daniel Dorff performed by Musicians: Melinda Bowman (flute) and Keith Calmes (guitar)



Quiet Kissing, a duet, 6 minutes, music: Andrew Shapiro Musicians: Melinda Bowman (flute), Keith Calmes (guitar), Charles Fricker (marimba)



Three, a male trio, 4:30 minutes, Music: Astor Piazzolla's Deciso from the Tango Suite, Musicians: Melinda Bowman (flute), Keith Calmes (guitar), Charles Fricker (marimba, percussion)


2004

Dance and Choir Project, 20 minutes, 7 dancers, original music by Andrew Bleckner, 5 live musicans & 45 children voices from St. Peter's and Greene St. Friends School



Three Ladies in Waiting, 20 minutes, a trio, site-specific work, in collaboration with videographer Carmella Vassor-Johnson, music by The Gotan Project "la revancha del tango"


2003

The Lemon Lady, solo, 15minutes performance art work, music Marcelo Alvarez and Salvador Licitra Duetto, video created in collaboration with videographer Carmella Vassor-Johnson and A. Mulgrew, set 3500 lemons.



A Deconstruction of Degas, 11 minutes, 6 dancers, A collage of found sounds and excerpts from Abba Pater, Beethoven's "Moonlight Sonata" with voice by Jacqui Bowman, The Pink Panther, Hildegarde's Hypno Trance by P. Rabjohns



Ode to Ancient Voices, (Maypole Dance for Friends of Clark Park) , site-specific work, 11 minutes, 4 dancers



The Architecture of a Relationship, 4 minute duet assorted music, also pilot study for Dance for Camera project ZOOM in collaboration with videographer, Carmella Vassor-Johnson


2002

Mahler, Mayhem and the Dresser(s), 35 minutes, 8 dancers, 6 sections, commissioned, music: Mahler Symphony 3, 1st Movement, Bang on a Can Terry Riley in C, Carlos Paredes, Cancao Verdes Anos, Ennio Morricone Poem of a Woman, Brent Lewis Coyote Eyes, Mahler Symphony #3, 5th Movement.



The Opening Dance for the 10th Enterprise Awards Ceremony, 10 dancers, 4:30minutes, a commission, Music Enya, video and production by Visual Sound.


2001

Opening Dance Narada, 5 minutes, 6 dancers, music: Inward Coil by Vas from In The Garden of Souls



The Dream Sequence, 16minutes
Sleep Dance, 5 dancers, music: Vegetarian Voodoo Soup Brent Lewis Earth Tribe Rhythms



Dream Stories Section One, 4 dancers , Text & performance by Matt Nelson, Valentine Aprile, Melissa Bessent and Joe Cicala
Section Two The Quartet, 4 dancers, to silence
Section Three The Duet, 3 dancers, music: Elgar Cello Concerto
Dream Story Two, 4 dancers, Text by Valentine Aprile



The Box, 8 minutes, 4 dancers, Sound score: Sounds of Frenzy, TV's Greatest Hits



The Conversation, 4 dancers, 2 minutes, Music: Veronique Gens Fauve: Apres un Reve



Bird/Man, a duet, 5 minutes, Music: R. Strauss Violin Concerto Sarah Chang Sawallisch



Invasive Interiors, a male duet, 5min. music: text with excerpts from Dhol Foundation



So Cool So Far So, 7 dancers, 4 minutes, Music by Chico Cesar Papo Cabeca



Faux Finale, 7 dancers, 4 minutes, music by Miriam Makeba Homeland



A Dance Song for Hope (September 2001), 11 performers, 5 minutes Music by Tere Bina The Dhol Foundation


2000

Dances for Imaginary Places, Barely There Mix, 60 min.site-specific dance, 8 performers, live music by Tom Church and natural sounds



Paper Waitress, a trio, 16 minutes, music by Mickey Hart, Zakir Hussain and Ustad Sultan Khan, Indian Ropeman, Gardel Tomo Y Obligo and Chinese Bamboo Flute Music


1999

Unknown City, 30 minute work, developed in collaboration with Vida-Vida video projection & composer Peter Price, 4 performers, inflatable green set, and 60 yds of red fabric


1998

A Homage to Rodin, 15 minutes, 4 dancers, a commission, composed and performed live on clarinet by Daniel Dorff



Projeckt Desire, 8 short dances 3-10 min in length, solos, duos, quartets for stage & specific sites inc. Re-Vamping the Bride, Jen & Joe's Tango, A Hat Too Big, The 2:58 Minute Quartet, Project Desire-The Girl Duet, Fancy Footwork, Small Talk & Exit to Utopia


1997

Strange Tongues, 40 minute site-specific performance work for Parallax Pictures Studios, solos, duos and quartets for six dancer/performers music by Peter Price, Installation/Lighting by Vida,.


1996

Project 2012, 20 minute work for 3 dancers, music-Peter Price, Video projection by Vida



Dances for the Timeline Exhibit, 3 dancers, 20 minutes, a commission for Borowsky Gallery, soundscore a collage mix of Art of Noise, A. Beleu, Ghostwriters, Celtic music & sounds



Wall Studies, 4 dancers, music/sound collage, 15 min.



Laughing Man, trio with live camera music by A.Beleu, 4 min.


1995

The Flatland Project, 22 minutes, 6 dancers, original electronic music by Peter Price, video & slide projections by Vida Vida. There are four sections; three for the ensemble, one solo and a duet for video and music. Sections are The Mask Dance, A Passage in Time, Flesh-Text-Walk-Talk,, Another Reality


1994

Flatland (part one), 20 minutes, 6 dancers, original electronic music by Peter Price, neon installation with overhead live video projections by Vida Vida. Costumes Kate Murphy. Sections are A View, The Inhabitants Thereof, The Female, Ways of Recognizing One Another, The Invasion of Color



IB, a duet, 8 minutes, music by Hispanic Traditions



An Experimental Night Out, 50 minutes, 4 dancers, site-specific for University City Arts League Sunday Nite Series, Original music by Peter Price and found music and sounds, includes of works for a studio space including Parallel Realities, The Wall and Fifty Ways to Stand at a Party



Stick Dance, version 2, 11 min. 6 dancers, soundscore sound of PVC piping


1993

Dance for the Art of Dressing Exhibit, gallery commission 15 min. 3 dancers



Earthborne, outside dance performance installation, 3 dancers, soundscore, clay



Shift, 5 dancers, 15 minutes, assorted sound collage, political commentary



Rhumba in the Kitchen, gallery commission Syracuse NYC, 2 dancers, 10 min. The Interview, Childhood Memories, Solo for Carrie


1992

Physiology of Taste, duet, music by C. White with live soprano, set by Gillette, 10 min.



Roadblock, Part, Part 3, also the "Stickdance" 6 dancers, in collaboration with Mitchell Taylor Gillette, (painter-set designer/costumer) and Claude White, Composer



In-Fra-Structure, a dance for a renegade dwelling, International Sculpture Festival, 10 min., 5 dancers



Limbo, a solo for a woman and a chair, assorted sounds, 5 minutes


1991

Roadblock, Part 1, 3-6 dancers and 3 trombones, music by White, set by Gillette 20 min.



Mouth, 4 dancers score by White, newspaper costumes by Gillette, 20 minutes



Five Very Short Solos, assorted sounds 10 minutes


1990

Blindtrust, 5 dancers assorted sounds, 10 minutes

Tales of the Buffoon, Part 2, 6 dancers set/concept Gillette, music White 22 min


1989

Tales of the Buffoon, Part 1, 6 dancers set/concept Gillette, music White 22 min


1988

The Human Statistic, Part 2, 5 dancers, 20 minutes, music by Peter Price, Text by June Fortunato


1987

Earth Planet Dances, 5 dancers, assorted music, 10 minutes



Flying Rhinerceri and other unfounded fears, solo, music by Price, 7 minutes



Collab 3, 7 dancers, text poetry by A. Grilikhes, fabric artist Lucretia Robbins, 50 min. Slang-Walk-Talk, The Net Effect, Totem


1986

Counting Backwards While Balancing in Precarious Positions, 3 dancers, 7minutes



Sub Surges, 5 dancers, electronic music, 5 minutes



Hard Facts and Stuffed Gardenias, 4 works 4-9 dancers, visuals by Sapareta
A Glimpse, While Waiting,Facing 9-5, Counting Backwards while balancing in Precarious Positions


1985

Facing 9-5, Version 1, 8 dancers, set figures by Sapareta, assorted music/sounds, 20 min.


1984

Hoopdance, dance for 4 women and 18 hoops,15 minutes, assorted music


1983

Spurts, 5 dancers, live percussion by Lou Abbott, 10 minutes


1982

Racing, 5 dancers, music by Jarre, 12 minutes



Dance Films and Dance for Camera Projects (2022-1992)



2022

(July) Un Petite Love Story- Six Feet Apart, Conceived/directed, performed by Anne-Marie Mulgrew in collaboration with Sean Thomas Boyt. Music Dark Waltz



(June) A Tribute to Isaiah 2022, as part of Beautiful Chaos Video: Anne-Marie Mulgrew Edited by Francesca Costanzo The outside building of Chi Movement Arts Philadelphia, PA


2019

This Woman,(3 minutes) created in collaboration Carmella Vassor-Johnson and A. Mulgrew


2018

The Iris Video, (90 seconds) created by A. Mulgrew, edited by Sasha Spassoff - - opening film for Strange Dreams


2017

Frances, (2:30 minutes), created in collaboration Carmella Vassor-Johnson and A. Mulgrew from footage shot in 2010


2013

Video Story, 1943-1945 opening section of The Keepers Project in collaboration with Carmella Vassor-Johnson



Video Stories AKA The Shadow Dance, The Keepers Project, in collaboration with Carmella Vassor-Johnson


2012

The Earth, Dance for Camera video for Dig in collaboration with Carmella Vassor-Johnson.


2011

25th Anniversary Retrospective Documentary, an overview featuring Ms. Mulgrew's choreography and rehearsal shots from Le Dada in collaboration with videographer Stan Sadowski.



The Spirit of the Sanctuary, a video on a loop featuring The Lighted Hat Lady from Le Dada.


2009

Links from SALT, 3:30 min. stand alone Dance for Camera video in collaboration with Carmella Vassor-Johnson



Salt, four (3 minute) dance for camera clips in collaboration with Carmella Vassor-Johnson


2006

The Hans Project Video excerpt (one minute) in collaboration with Stan Sadowski



A Retrospective, an overview of 20 years of dancemaking,(8 minutes) in collaboration with Stan Sadowski


2004

Three Ladies in Waiting (4 minutes video excerpts) in conjunction with site work) in collboration with Carmella-Vassor Johnson


2003

Citrus Limon (4 minutes) in collaboration with Carmella Vassor-Johnson at The School for Jacob's Pillow choreography for the Screen Program.


2001

The Kitchen Dance (3 minutes) in collaboration with Carmella Vassor-Johnson during an artist in residence at The Yard, Chilmark, MA


1993

Creativity Comcast Documentary 30 minute documentary on Ms. Mulgrew's work


1992

The Tales of the Buffoon, (6 minutes), commissioned by WHYY Channel 12 TV and PEW



Works Choreographed/Restaged for Schools/Colleges (2001-1986)




2001

Penn State University Abington Campus, 11 dancers, 5minutes, commenting on 911


1999

Penn State University Abington Campus, E Pluribus Unum, 10 dancers, 5 minutes


1997

Governor's School of NJ, Strange Tongues-Jacket Dance, 6 dancers, 4 minutes


1986

University of the Arts Modern Dance Co., Facing 9-5, 10 dancers, 20 minutes



Choreography for Theater (1995)




1995

Brick Street Playhouse, High Heel Feeling, a musical for 3 men in drag



Choreography for the Community (2006)




2006

Peoplehood Parade and Pageant, two public works, 10 minutes, 12-15 performers